Naturally painting shade & shadows...
cameras: FujiFilm X-E1, X-Pro 1 and X-T10
lenses: Minolta MD 28mm f/2.8, Canon FD 50mm f/1.8 and Fujinon 18mm f/2/0
As the saying goes, 'the early bird catches the worm'. I believe this is especially true when it comes to street photography. Over the years I've become accustomed to not sleeping in (even on weekends) and to venture out to photograph at sunrise. The smells of fresh coffee from corner bakeries combined with the sight of smoke spewing from manhole covers stimulates my creativity. The city if full of excitement and I aim to capture as much as possible. I have a sense of accomplishment when I am one of the first street photographers out hunting for deep shadows.
The natural light before noon makes architecture and urban landscapes just that much more dramatic. I've tested a variety of camera settings; I found that my personal sweet spot fall between 200-400 ISO, a f/8 or smaller aperture and shutter speeds between 1/60 to 1/80. I've used a Fujinon 18mm f/1.8 lens on a number of occasions. However the Fujinon 18mm continued to suffer from soft focusing. This seems to be a common flaw mentioned by other owners of these lens. This has pushed me in the direction of using old prime lenses from the film photography era. The FujiFilm X series cameras work like a gem when paired with vintage lenses! I like them so much I now prefer analog lenses over digital any day of the week. I don't mind working a bit harder with manual lenses to get the results I want. Photography excursions during the early morning hours is an excellent opportunity to test the limits of lenses and to sharpen photography techniques.
Using an analog wide angle lens at a Japanese market.
camera: FujiFilm X-E1
lenses: Minolta MD 28mm f/2.8
One of the many reasons why I love using the FujiFilm X line of cameras are how well they pair with analog lenses. To clarify, I have nothing against digital Fujinon glass. They are high quality lenses and I so appreciate the manual aperture ring! However I just find old lenses from yesteryear a bit more appealing. Vintage lenses are bullet proof; they last forever and aren't as fragile as most modern glasses. Not to mention that having an assortment of analog prime lenses are much more economical then spending hundreds of dollars more for a single lens that requires firmware updates and such.
After a recent purchase (on eBay) of a Minolta MD 28mm f/2.8 vintage lens, I decided to give it a test run at a Japanese market. I experimented with shooting primarily from a low angle perspective when capturing people. I am very pleased with the results. The focus ring is very responsive and the aperture blades open/close with precision. I especially like that these old lenses aren't that heavy either. Vintage lenses, even some primes, can be bulky with a lot of weight but the Minolta 28mms are quite compact. Most of the people in the market didn't even notice that I had a camera at all. I love being the invisible man!
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I am a street photographer using film and digital formats. I enjoy listening to good music, traveling, quiet time & peace.