a collection of experiences, ideas and image samples related to street photography.
Throughout all of the digital cameras I've purchased, sold, traded and bid for over the years, none of them have any sentimental value to me. Even my most favorite of them all, a FujiFilm X Pro 1...I loved using that camera. Yet when I sold it, I felt nothing. I knew the day that I brought it that I wasn't going to keep it forever, not even more than 2 or 3 years.
On the other hand, my old film cameras have stood the test of time. My Canon F1 and Yashica D are both older than me! These vintage cameras are well crafted, beautiful works of art. Despite their age they are extremely reliable. I don't hesitate to travel with them nor worry about a malfunction or dead batteries.
Film cameras are my cure for GAS! I am less burdened with having an over abundance of tech features on a digital camera that I rarely or never use. I want to control my environment with simple manual settings. I don't want a computer chip to determine my personal vision. My analog cameras help me to be in the moment and enjoy shooting again. I no longer need to shop for any unnecessary digital accessories anymore; just more film for me to shoot. The only non-essential photography-related thing that I now lust for is to add a Leica M2 to my vintage camera collection!
"I am not putting digital photography down or trying to disrespect those who thoroughly enjoy it...its just that the computerized process doesn't give me a sense of artistic pleasure. I personally prefer the simplicity of analog cameras. I want to control my creative vision and not depend on a computer chip to do the work for me."
my romanticism with film photography
My passion for film photography is getting more intense. I feel that my overall skill level has drastically improved over the last couple of years by shooting film. Analog cameras prevent me from having to dig through menus and being unnecessarily anxious to post digital images online. Film photography requires patience. I now appreciate being in suspense. With analog photography, you don't know what you are going get. I love that!
I was fortunate to find a mint conditioned 1963 Yashica D camera a few months ago. This is probably my 5th film camera (I lost track), but my first medium format and twin lens reflex (TLR)! I shot a test roll and took it to a photography shop for processing. The normal return time is usually one week. However, I didn't receive my negatives for three weeks; the lab tech unexpectedly went out of town and he is the only person in the shop that develops 120 film. Was I disappointed after learning I had to wait longer to get my film back, yes of course I was. Yet the extended wait time was used wisely by me learning more about TLR cameras and my specific Yashica model. Once I was able to see the negative of my first roll of medium format film, it was well worth the wait.
My photographs weren't ground breaking and very far from my best...but that wasn't my goal. I wanted to make sure that the camera worked first and foremost. With that I was still happy with the results. I so enjoy shooting with the Yashica D. I often imagine where the camera might have traveled, who owned it, did it captured a significant event in history? I simply can't compare it to any digital camera I have ever owned, used or tested. Owning the Yashica is having a piece of history
I am a street photographer using film and digital formats. I enjoy listening to good music, traveling, quiet time & peace.