a collection of experiences, ideas and image samples related to street photography.
With a limited amount of frames on a roll of film, I've adjusted to the idea that every shot must count. This idea is also true in life. Film photography is about investing in the moment. I am learning to spend less time worrying about things I can't control. I replace negative thoughts with enjoying simple things that I used to take for granted. However, the results aren't always free from flaws. The lesson is each attempt is better then the last. I am finding comfort in being in the moment; to stop, observe, think and create.
"Film photography is about investing in the moment."
Throughout all of the digital cameras I've purchased, sold, traded and bid for over the years, none of them have any sentimental value to me. Even my most favorite of them all, a FujiFilm X Pro 1...I loved using that camera. Yet when I sold it, I felt nothing. I knew the day that I brought it that I wasn't going to keep it forever, not even more than 2 or 3 years.
On the other hand, my old film cameras have stood the test of time. My Canon F1 and Yashica D are both older than me! These vintage cameras are well crafted, beautiful works of art. Despite their age they are extremely reliable. I don't hesitate to travel with them nor worry about a malfunction or dead batteries.
Film cameras are my cure for GAS! I am less burdened with having an over abundance of tech features on a digital camera that I rarely or never use. I want to control my environment with simple manual settings. I don't want a computer chip to determine my personal vision. My analog cameras help me to be in the moment and enjoy shooting again. I no longer need to shop for any unnecessary digital accessories anymore; just more film for me to shoot. The only non-essential photography-related thing that I now lust for is to add a Leica M2 to my vintage camera collection!
"I am not putting digital photography down or trying to disrespect those who thoroughly enjoy it...its just that the computerized process doesn't give me a sense of artistic pleasure. I personally prefer the simplicity of analog cameras. I want to control my creative vision and not depend on a computer chip to do the work for me."
shooting manual digital photographs without post edits...
PROGRESS IN MY CREATIVE APPROACH
One of the greatest lessons I am learning from film photography is embracing simplicity. Keeping things simple makes photography alot less stressful. Using analog, fixed lens cameras prevents me from being overly burdened with trying to decide which lens to bring with me. Not to mention film cameras do not have digital menus with an over abundance of options that can be more distracting than helpful at times. Over time I've become much more comfortable with film photography. I don't have anxiety anymore about the possibility of ruining a roll of film or taking a bad shot. I truly love using vintage cameras...they make me think and take more chances. However, my progress in film created an unforeseen struggle with digital photography.
THE SETBACK (temporarily, I hope)
Yesterday I did some street photography in my most favorite places in the state of Michigan, Ann Arbor. I had a great time shooting and bonding with two film cameras, a compact Konica C-35 and a Yashica D for 120 film. People in the streets where most fascinated with my classic twin lens reflex medium format which in turn presented plenty of opportunities for taking street portraits (I can't wait to go to the darkroom!). After a couple of hours I decided to put away my analog gear and bring out my digital FujiFilm X-E1. Sigh... the frustration!
To clarify, I love FujiFilm X series cameras; I've owned several. However I find myself loosing interest in the digital photography process (or lack there of) over the past couple of months now. When I began shooting with the X-E1 that day, I quickly resulted back to bad old habits of 'chimping' and looking for instant satisfaction. I was focusing on all of the tech options on the digital camera rather than observing and capturing my environment. The convenience of a digital camera took the fun out of the thought process of street photography.
ADDRESSING THE ISSUE
This morning I needed to reevaluated my approach. I decided to treat my digital camera as a fixed lens 35mm. I will dedicated myself to shoot with only one prime lens, a manual Canon FD 50mm f/1.8 with CPL filter. For at least the remainder of this month, I will shoot with the lens open with a f-stop setting at 2.8. The built-in monochrome filters FujiFilm provides are superb so I keep my camera's film simulation on the 'black and white with a red filter' mode. The FujiFilm X-E1 will have the shutter speed and ISO set manually - - no automatic whatsoever!
My first test was to capture my environment immediately, so while I sipped on a cup of coffee I did some random natural light shots in the house. The rays of the rising sun beaming through my blinds gave me an idea to shoot as-is; no post editing! The results were great but more than that, I was relaxed and I made every shot count. Instead of having a hundred bad images to edit, I only had about a dozen unedited quality photographs to simply upload to my laptop, tag and enjoy.
THE RESULTS - Quality over Quantity
I am a street photographer using film and digital formats. I enjoy listening to good music, traveling, quiet time & peace.