During this past spring, I anticipated spending the summer months enjoying the sunshine, sporadic motorcycle rides and weekend getaways. I was especially looking forward to shooting more film photography, specifically with my medium format camera. However, the realities of life had other plans. Unexpected roadblocks and obstacles not only rerouted my summer excursions but totally derailed my level of creativity. Now that August is upon us, I missed out on some prime opportunities to expand my portfolio. Yet, I don't feel particular bad about it simply because I really had nothing to say artistically. The few times I did photography over the summer, I wasn't fully engaged in the process. I was shooting with film cameras 100% of the time yet I am not overly anxious to see the results right now either (I don't plan to do any film developing until the fall).
I feel that my creative drought is temporary and will eventually pass. I much prefer to be patient and allow inspiration to find me rather than force myself to shoot just to be shooting. I want my photography to have depth, purpose and meaning. Film photography has taught me to make every frame count. Capturing a micro-second of time should not be taken for granted. This is a simple belief in quality to quantity.
With that, I like to think that my creative process is in the brewing stages. Bold, flavorful coffee is a craft. It takes time, patience and passion. I can surely wait...
my romanticism with film photography
My passion for film photography is getting more intense. I feel that my overall skill level has drastically improved over the last couple of years by shooting film. Analog cameras prevent me from having to dig through menus and being unnecessarily anxious to post digital images online. Film photography requires patience. I now appreciate being in suspense. With analog photography, you don't know what you are going get. I love that!
I was fortunate to find a mint conditioned 1963 Yashica D camera a few months ago. This is probably my 5th film camera (I lost track), but my first medium format and twin lens reflex (TLR)! I shot a test roll and took it to a photography shop for processing. The normal return time is usually one week. However, I didn't receive my negatives for three weeks; the lab tech unexpectedly went out of town and he is the only person in the shop that develops 120 film. Was I disappointed after learning I had to wait longer to get my film back, yes of course I was. Yet the extended wait time was used wisely by me learning more about TLR cameras and my specific Yashica model. Once I was able to see the negative of my first roll of medium format film, it was well worth the wait.
My photographs weren't ground breaking and very far from my best...but that wasn't my goal. I wanted to make sure that the camera worked first and foremost. With that I was still happy with the results. I so enjoy shooting with the Yashica D. I often imagine where the camera might have traveled, who owned it, did it captured a significant event in history? I simply can't compare it to any digital camera I have ever owned, used or tested. Owning the Yashica is having a piece of history
I am a street photographer using film and digital formats. I enjoy listening to good music, traveling, quiet time & peace.